Jaanus Samma at Liiv Museum
“Writings on the Wall. Kodavere Outhouse”, 30.06.— 25.08.2018
Jaanus Samma had already started the work of restoring the outhouse (together with Hilka Hiiop’s conservation team) found on the premises of Kodavere Church before joining the Artists in Collections project. The messages and names written on its walls tell us stories of the history of the village and its habitants at the beginning of the 20th century. The former architecture of the object could no longer be preserved, but it was possible to save the wooden wall panels of the toilet, which, after cleaning and preservation, were fixed in correct order on a metal frame, which would allow easier movement and display of the walls.
During a residency in Liiv Museum, Samma began to study the history of the outhouse. It is not known when exactly the building was erected, but the oldest entry on its walls reads “A. E 5.X.1916”. Some of the names written on the toilet walls are still familiar to many local people. The interviewees associated some names with funny stories and events, which, when listened to, brought to life the texts on the walls. Although the outhouse has not been in use for decades, it was nice to hear that even during that time these writings were sometimes read and admired. The last dated writing dates back to 1947. Exhibiting this object and the research carried out at the home farm of one of the most beloved poets Juhan Liiv and his brother Jakob allowed us to bring a surprising part of the local history to the consciousness of a wider audience. Andreas Kalkun, a folklorist who studied the texts of Kodavere’s outhouse with
amma, found that typically most of the texts on the walls usually consist of a name and date, but sometimes the name of the writer’s village is added. However, he also points out that the poetic part of the text body of the Kodavere outhouse consists of typical toilet poetry that deals with taboo topics related to urination and defecation. According to Rainer Vilumaa, who has studied the history of Estonian graffiti, one ought to pay attention to the location of latrinalia (toilet graffiti) as one of its characteristic features: “The peculiarity of the toilet as regards graffiti research lies in its nature of being a no man’s land, in the schism between public and personal that manifests itself in it, and in how this schism is symbolically overcome — being alone in your intimate space but also publicly communicating with others who will at one point also consider this their intimate space.”*
Jaanus Samma has been interested in declarative graffiti for quite some time and also collects it. In 2012, he started the project Hair Sucks!, a series of hand-knitted sweaters with patterns that are based on scribbles with sexual undertones found in the urban space. The project of Kodavere outhouse can be seen as a notional follow-up of that idea. Samma has succeeded in giving the toilet an unexpected afterlife, creating new layers of meaning. The outhouse of Kodavere Church was also exhibited at the personal exhibition of Samma at the Nomas Foundation, Rome (2018).
* Rainer Vilumaa, “Grafiti Eestis. Tallinn ja Tartu II”. Vikerkaar, 2002, no. 10, p. 72.
Exhibition design: Brit Pavelson
Texts: Jaanus Samma, Hilkka Hiiop, Maari Hinsberg, Andreas Kalkun
Jaanus Samma (1982) earned a bachelor’s degree in Graphic Arts and a master’s degree in Fine Arts from the Estonian Academy of Arts, he also continued his education in France on several occasions. At the moment he is obtaining a doctoral degree from the Estonian Academy of Arts. His most well-known project, Not Suitable for Work. A Chairman’s Tale, which represented Estonia at the Venice biennale, narrates an untold story in the common approach to history, about the persecution of gay people during the Soviet occupation. Many of Samma’s works are also related to the subjective sense of the urban space. He uses mediums of contemporary art in his work, from installations and videos to jewellery and knitwear. At the 2013 Köler Prize exhibition, Samma was awarded both the Grand Prix as well as the People’s Choice Award. Since 2017, he is one of the artists receiving the artist’s salary.
The permanent exhibition If I were a Poet in Liiv Museum in the birthplace of Juhan Liiv gives a thorough overview of the poet’s life and works. In the outdoor exhibition we can learn about the writer’s home, Oja farm, and about the life of the Estonian peasants at the turn of the 19th and 20th centuries. The museum’s other permanent exhibition Kodavere — a Good Big Chunk of Parish introduces local history and its different cultures: the Kodavere dialect, Vadja heritage, the Russian Orthodox community and Baltic German nobility. Every spring, a student poetry reading competition for poems displaying Liiv-like spirit is held and the winner is awarded the Juhan Liiv Poetry Prize. Liiv Museum is also known for its Estonian Writer festival and summer theatre productions.
Public programme30.06 Art Bus from Tallinn
14:00 Tour of Kodavere Church with Pastor Raigo Ojamets
15:00 Exhibition opening. Discussion panel with the artist, Hilkka Hiiop and the Artists in Collections team
16:00 Picnic in the museum courtyard
17:00 Tour of Liiv Museum led by Mari Niitra
Thank you: Mari Niitra, Raigo Ojamets, Hilkka Hiiop, Juhan Kilumets, Evi Treial, Virve Jõgeva, Ann Kilk, Ella Viirmaa, Lehte Vene, Elli Kask, Enn Kurs, Anne and Karl Elken, Koit Randmäe, Andreas Kalkun, Martin Rünk, Maari Hinsberg, Johanna Lamp, Kaarel Eelma, Cultural Endowment of Estonia
Jaanus Samma’s museum residency took place from 23 April to 4 May 2018. Organizing of the residency was supported by the Cultural Endowment's Tartu expert group.
Photos of the visit to the museum in winter 2017: